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結(jié)尾，創(chuàng)傷過后，仍有失業(yè)待找工作的女子守在大門外，希冀著那最后一個也是僅有的一個名額，等待，無盡的等待…

克里斯托弗·李不演吸血鬼我都不相信愛情了

意大利新現(xiàn)實主義代表著。之前看過一部《偷自行車的人》很喜歡。

Ah, so Midsommar was inspired by this! Powerful, distinctive portrayal of an otherworldly village where paganism beliefs have seeped in everywhere and every person functions as part of an organic whole. The affability and peacefulness visible to the eyes are all the more horrifying when underlain by sinister intentions. As we learn everything through the sergeant's eyes, the identification has been built up throughout the entire film and therefore the final wicker man scene comes even harder and stronger, leaving us shiver in total hopelessness. (When the sergeant shouts desperately 'can't you see there is no sun god!', does he have a fleeting doubt about his Lord Jesus Christ too?)

這才是悲喜交加，冷暖人生